He gave me the outline, the feeling of the meditation and with that I went and tried to put some music together. “Osho would tell me his idea about the music, what the effect should be, what the music should help with, what the goal of the meditation was and what the music should do for it. Osho no longer wanted non-sannyasin musicians in the ashram, so Chaitanya set to work on the project as soon as he arrived. The first project was going to be the music for the Kundalini. At the time India did not allow any foreign electronics to come into the country – although nobody wanted to buy their inferior quality equipment anyway those who could, bought foreign-made articles on the black market. He packed up his studio and instruments in Germany and shipped them off to India where, unfortunately, they languished for a whole year at the customs depot. When Osho moved to Pune in 1974, Chaitanya was invited to come and create the music for the meditations.
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